Pages

Saturday, 27 November 2010

Vind et originalt Pryds-maleri



Vind et ægte Pryds-maleri
- dét du ser herover tv., 25 x 30 cm, værdi kr. 2.500,- eller et af de andre kunstværker, doneret til Galleri Lisse Bruuns julelotteri. Lotteriet finder sted på torsdag, hvor der også er fernisering på årets juleudstilling med galleriets kunstnere med gæster.
__Pryds deltager på udstillingen med tre nye collager. Som altid i julemåneden er der "cash-and-carry" - så køb julegaven nu og få den pakket ind inden juleaften.

Velkommen til fernisering og lodtrækning
Torsdag den 2. december 2010 kl. 17-19.

Galleri Lisse Bruun, St. Kongensgade 99, København K
......

Tekstile udtryk - en introduktion
Lisbeths nyeste bog er udkommet - og kan nu købes i boghandelen. Vi markerer udgivelsen med en reception i det nye år, så sæt allerede nu kryds i kalenderen den 22. januar.
Køb bogen (julegaveidé?) nu hos din lokale bogpusher eller på saxo.com
......

TEX-Antik
Lisbeths netbutik med brugte og næsten nye bøger om tekstil, håndarbejde, kunst og kunsthåndværk er i konstant udvikling - og efterhånden som vi får registreret bøgerne, opdateres hjemmesiden med de nye titler. Måske har vi den bog, du lige står og mangler? Tjek på www.tex-antik.com

Og ha' så i øvrigt en god jul og et godt nytår!
KH fra Lisbeth & Lars

------------

Win an original Pryds-painting
- the one you see here, 25 x 30 cm acralyc on canvas (above) - or one of the other artworks donated for the Christmas Lottery of Galleri Lisse Bruun. The lottery will be held on Thursday, at the opening of the traditionrich Christmas exhibition with the gallery's artists and guests.
__Pryds will be showing three brand new collage works. As always, it's a "cash-and-carry" show - so you can shop for Christmas and have the gifts wrapped before the 24th.

Welcome to vernissage and lottery
Thursday 2 December 2010 - 5pm-7pm

Galleri Lisse Bruun, St. Kongensgade 99, København K
......

Tekstile udtryk - en introduktion (Textile expressions - an introduction)
Lisbeth's new book is now available in book stores. There will be a reception in the new year, so mark the 22 January in your calendar now.
Buy the book (to give to someone for Christmas?) now in bookshops or on saxo.com
......

TEX-Antik
Lisbeth's web shop with used and almost new books about textiles, handicraft, arts and crafts and fine art is alive and kicking - and updated with new titles regularly. Maybe we have just the one you've been looking for for years? Check out the lists on www.tex-antik.com

And then - have a nice Christmas and a happy New Year!
Best, Lisbeth & Lars

Tuesday, 23 November 2010

Jul i Galleri Lisse Bruun



Welcome to this year's December exhibition in Galleri Lisse Bruun.
Just like last year, there will be a lottery where you can win artwork donated by the exhibiting artists.
Lars Pryds is one! Come back to see which Pryds-piece you can win!

Vernissage:
Thursday 2 December 2010, 5pm-7pm.
Lottery at 6pm.

Galleri Lisse Bruun
Store Kongensgade 99, 1264 København K
Phone/fax +45 33 14 59 62
www.gallerilissebruun.dk

Wednesday, 10 November 2010

Mørk og manisk – og så ikke et ord om Twin Peaks


“Do You Want to Know What I Really Think?” – Hjemmet er i David Lynch’s verden det mest utrygge sted at opholde sig, når manden har en kniv i hånden og er klar til at bruge den. Foto © David Lynch.


Fra Kunstavisen nr. 10/2010, p. 7.

Instruktør og billedkunstner David Lynch udstiller i Kunstforeningen Gl. Strand i København. Det er ikke for sarte sjæle.


Af Lars Pryds pryds@mac.com

For tiden læser jeg Patricia Cornwell. Hendes romanhelt, Kay Scarpetta, er Chief Medical Examiner og obducerer mordofre, der har fået skåret ben og arme af, er blevet mishandlet på anden vis eller smittet med virusbakterier og efterladt i øde landskaber. Hovedpersonerne i David Lynch's univers kunne være Scarpettas cases, før de lander på obduktionsbordet: forvrængede menneskekroppe i tomme rum, afklædte og forladte, skildret lige før forbrydelsen sker, eller i sekundet efter det pistolskud, der tager livet fra dem. Ikke noget behageligt syn.

Billederne er uhyggelige og kryber ind i hovedet på os som maddiker på et lig i forrådnelse. De er fysisk pågående – med kraftige lag maling, påklæbede objekter som plastre, dukker og trægrene. På et enkelt er syv glasøjne presset ned i materialet, i grænseområdet mellem maleri og skulptur.

I fem store billeder, vel udstillingens væsentligste, danner gigantiske farveprint bund for de ubehagelige handlingsforløb. Rigtige tøjstykker (skjorte, bukser etc.) er limet på kroppe, der er groft modelleret op i “et fantastisk materiale, med en hemmelig opskrift”, som Lynch har beskrevet det. I et enkelt værk, “Pete Goes to his Girlfriend’s House”, er huset bygget op som et relief i pap, og tableauet minder om en teaterscene, hvor de forfærdeligste ting kan ske.

Tre etager – tre udstillinger
Udstillingen er velstruktureret – på første sal vises de store malerier; på anden sal sort-hvide litografier og tuschtegninger; på tredje sal skitser, fotos samt eksempler på David Lynch’s tidlige eksperimenter med kortfilm og animerede film. Denne opdeling giver forskelligartede oplevelser, hvilket forstærkes af det pusterum man får ved at bevæge sig fra den ene etage til den næste – man træder ind i en ny udstilling på hver etage.

De store billeder er umiddelbart imponerende, men har man sans for det mindre format, er der stærke motiver i mange af Lynch’s sorthvide tegninger. Her er dramaerne koncentrerede, og de naivt skitserede menneskefigurer er næsten mere intense og uhyggelige end i de store, voldsomt udpenslede varianter. Ikke mindst på grund af farveholdningen, der snarere end sort-hvid er sort-grå. Litografierne i serien “The Paris Suite” er overraskende dekorative, og ligner mest et forsøg på at omsætte de små skitser på gule post-it blokke, der vises ovenpå, til salgbar grafik – men nerven og farligheden er forsvundet. Måske er det grunden til, at denne serie ikke er vist i det omfangsrige katalog, der ledsager udstillingen.

Foto, film og servietter
På tredje sal vises udover kortfilmene to værkgrupper: serien “Distorted Nudes” fra 2004 – gamle erotiske fotografier, som Lynch har manipuleret digitalt – med en obduktionslæges præcision, men også som var det skildringen af en voldsforbryders absurde fantasi. Desuden ca. 500 små tegninger på servietter, post-it blokke og lignende. Næsten manisk, forestiller man sig, har Lynch tegnet, når ideen har meldt sig. De mange tegninger er uden dato eller titel, men giver et sjældent indblik i en kunstners arbejdsmetode.

Hvad det egentlig er der forgår – på billederne og inden i David Lynch – skal der nok en obduktionslæge af Kay Scarpetta’s kaliber til for at blotlægge. Men det er en dybt fascinerende tur ind i instruktørens billedkunstneriske univers, Kunstforeningen Gl Strand giver os mulighed for på denne flotte udstilling. Med andre ord: SE DEN, og sæt god tid af til det. Rigtig ond fornøjelse!


David Lynch: The Air is on Fire
Kunstforeningen Gl Strand
Gl. Strand 48, København
www.glstrand.dk
Til 16. januar 2011


“Pete Goes to his Girlfriend’s House” – Drama mellem kærestefolk: det ender galt. Pete har i hvert fald pistolen fremme og har taget sit dødningehoved på. Foto © David Lynch



Uden titel, tegning på papir, 7,6 x 7,6 cm – I det lille format er David Lynch's tegninger enkle og intense. Her er papiret fra en gul post-it blok. Collection of the Fondation Cartier pour l'art contemporain, Paris. Foto © David Lynch

Thursday, 4 November 2010

IKEA vinder Grand Prix i AEA


IKEA 's kampagne "Kvalitetstestet af hverdagen" blev den store vinder, da DRRB, Danske Reklame- og Relationsbureauers Brancheforening torsdag 4. november uddelte priser til ti vindere i Advertising Effectiveness Award 2010 (AEA). Det er niende gang DRRB afholder konkurrencen, der adskiller sig fra de fleste konkurrencer af denne type:
__"Frem for at være en kreativ skønhedskonkurrence handler Advertising Effectiveness Awards, som navnet antyder, om at kåre den kampagne, der har givet annoncøren de bedste målbare resultater for sin markedsføringsinvestering", skriver Vibeke Daell Bjerrum i Berlingske Nyhedsmagasin, der sammen med Dansk Annoncørforening er mediepartner i konkurrencen.
__Berlingske Nyhedsmagasins specialrapport i denne uge handler netop om AEA – og udover historien om selve konkurrencen er der interviews med Grand Prix vinderen; ophavsmændene bag to af konkurrencens i alt ti vindercases – Coops Änglamark og Do you yellow?-kampagnen, samt med ophavsmændene til Tuborgs kampagne fra 1980, "God jul og godt Tub'år", der vandt konkurrencens første Særpris. Og da magasinet udkommer på selveste dette års J-dag, "kunne vi ikke dy os for at sætte reklamen på forsiden", som BNY's redaktør Pia Fuglsang Bach skriver i magasinet.

Køb Berlingske Nyhedsmagasin på bny.dk eller i kiosken.

Wednesday, 3 November 2010

BNY: Clean cut for business leaders



(This is the original (too long) article I wrote about Berlingske Nyhedsmagasin for "INK" – a 72-hour newspaper project at the SND Denver seminar in September 2010. A shorter version was published with the headline "How simple can it get?". Read about the INK project in SNDS Magazine p 18.
)

Niche magazine keeps things simple – and lets the occasional visual explosions speak for themselves.

By Lars Pryds

A high profile business magazine, printed on expensive glossy paper, aimed at a very narrow target group: the absolute top executives of the Danish business world – does this sound like a direct route to a short life as a publication? Could be, but Berlingske Nyhedsmagasin (BNY) just celebrated its 25th anniversary – and even got an increase in readership as a present! Fresh numbers say that we’re up from 79.000 to 80.000 readers since last year – not much, but these days, when most printed media are losing readers big time, even a small step forward seems like a huge success.

Does design have anything to do with it? Hard to tell. What’s easy to tell is that the magazine was redesigned in 2009, introducing a clean, simple, clear, and easy-to-navigate look that goes well (we believe) with readers who are very particular with both time and quality. BNY aims to supply the CEOs, CFOs, and all the other Cs in private businesses with both insight, useful information and a bit of relaxation at the end of the week. We try to live up to Mario Garcia’s directions in his book “pure design”: “(It) is all about paving the way for readers to move through a publication almost effortlessly, while enjoying the experience”.

Simple and self-explanatory
Hence, one of the principles for the design structure is “keep it simple”. This goes for the way we use illustrations as well. A business mag is bound to show a lot of executives in suits and ties, but to complement the inevitable, we try to come up with at least one surprise in each issue. Often photographers are asked to work creatively with the portraits. The photo of the two business men with their feet in the water is a play with the words of an old Danish expression – if Denmark is not thinking globally, we’re stuck in the local duck pond. Getting these guys to roll up the trouser legs of their impeccable suits took the persuasion of a great photographer, Erik Refner.

In other cases, the illustration is self-explanatory. For an article about the decline in advertising in printed media, we accompanied the words with empty placeholder frames for the ads – and reserved the opening spread for the headline (which reads, “Here, we would have loved to print an ad”) and the intro. Over the remaining spreads we placed more empty frames, complete with information about the size of the available space in small print in the corners.
__This actually caused the printers to call us in panic when we sent the files: "Something is missing!! The ads have not been included in the files!!" So we were convinced, even before we had the printed copy in our hands, that the visual gimmick actually worked!
__The impact of the project was confirmed, when BNY was given an Award of Excellence in the SNDS Best of Scandinavian News Design 2010 competition – to be presented at the SNDS Oslo seminar on September 30, 2010. (See all pages from this project here).

Small group – great ideas
Our editorial group is a small one – the editor, five reporters, two subeditors, two ADs, and, shared with other publications of the Berlingske Media house, proofreader, research, photo staff etc. One of the cool things about working in a small group is that ideas are constantly circulating in the office – and sometimes it’s hard to tell where the idea was actually born. The very simple Google/Apple/Microsoft opening illustration was finished before the synopsis of the article had been fully developed. I remember the reporter, Anders Rostgaard, saying, “Well, now you’ve made the illustration, all I have to do is write something that goes with it ...”

On the cover of …
The cover is a special concern every week. The “safe” solution is the typical close-up of the face of a wellknown business tycoon (top left). We don’t have that many of this breed in Denmark, so for some of the 40 covers per year we have to come up with something else. A variation is the “De første 100 dage” issue (top second from left) – where the CEO of a large clothing company is portrayed taking off his jacket, getting ready for the first 100 days in the job. The Brazil issue (top third from left) is a bit unusual - we sent a reporter to the big South American country and lured readers in to read business analyses by showing some of the folklore and – for a change – a pretty young girl on the cover.

Another solution is the “graphic cover” – blowing the headline up to 800 point size across the page, setting it in bold and printing it in a gold or silver spot color. This is often the case for the handful of special issues that are published every year and that have become an institution for the magazine and its loyal readers. A variation of the “graphic” cover is the China issue (top right), where only a few of the stars in the Chinese flag are seen on the monochrome red background that makes the cover stand out on the kiosk shelves.

Zooming in on this kind of detail is dangerous, however – how much can you take away before the information is lost? We discarded a clean and very eye-catching cover based on a detail of the characteristic IKEA logo, held of course in the Swedish blue and yellow colours. The graphic shapes stood out wonderfully on the page, but so abstract that it was impossible to identify what it was. Artistic and simple, yes, but we’re here to communicate, so simple can be too simple. We try to keep that balance – every week.

.....

Berlingske Nyhedsmagasin (BNY) is published by Berlingske Media, owned by Mecom Group plc. Berlingske Media is one of the largest media houses in Denmark; its flagship Berlingske Tidende is Denmark’s oldest newspaper, published since 1749.
BNY was founded in 1985 and has over the years been published monthly, weekly, fortnightly and every three weeks. Now, 40 Friday issues are produced every year, with a pause in the summer months.
Circulation approx. 10.000.
Typography used is Berling Nova Display for headlines, Centennial for body text, Morgan Sans for navigation and the Myriad Pro family for all the rest.
More info at www.bny.dk
More covers on BNY's Facebook page


Lars Pryds is a graphic artist and designer, Art Director at Berlingske Nyhedsmagasin since November 2009. He has previously worked at Danish newspapers Jyllands-Posten, 24timer, and Ingeniøren. He is also editor and AD of SNDS Magazine and has exhibited his paintings in galleries and museums since the early 1980ies. Pryds’ website and blog is located at www.pryds.com